Tickled Pink!

With cooler temperatures around the corner for those of us in Northern United States and Canada, I've set about looking for some stylish and luxurious knits to enhance my wardrobe. I was google searching this season's fashion buzzword, "capelet," when I came across Tickled Pink Knits' Etsy shop. When I saw the Rococo Wool and Llama Shawl pictured above (available in 18 custom colors!), I fell in love.

Tickled Pink's designer and knitter Elena, shows exquisite attention to detail in her work. I love the matching ceramic button with a floral and grapevine motif that finishes off the lovely Vineyard Shoulderette. And what about the hand-crocheted flowers that adorn the tassels on Tickled Pink's Victoriana Scarflette? Made of the warmest wool and silky bamboo (a highly renewable resource), this delightful accessory can have you looking elegant and eco-friendly at the same time! I am also inspired by how multi-functional some of the designs in the shop are. Quite a few Tickled Pink's designs can be worn in a variety of ways, but this funky Rasberry Knit Headband, Scarflette, Neckwarmer, and Belt takes multi-tasking style to a whole new level!

I may need to save up some funds if I ever want a that Rococo Shawl, but I am definitely going to drop quite a few hints about this shop to my husband before holiday time rolls around. Being that I live downwind of the Great Lakes, square in snowbelt country, I hope to indulge myself in a Tickled Pink neckwarmer sooner rather than later though. Honestly, I wear neckwarmers and shawls indoors (thanks to my 1920's colonial) and out, throughout the entire winter season. The only problem is going to be which one to choose! Merino Wool? Boucle? Alpaca? It will be a tough decision. But whatever I get I'm sure I'll end up being Tickled Pink!

Consider me inspired!

I'm headed out of town today and I won't be back until Monday, but I did want to leave you guys with a post while I was gone. I'm sure almost everyone who reads this blog has heard of and is more likely also a reader of Helly Becker's fabulous blog decor8. Not too long ago I was reading a really thoughtful and neat post by Stephanie over at Design Healing, where she talked about her contributions to decor8's Inspire Me Giveaway. I was so inspired I decided to clean studio myself and send a few contributions from Bride Design and Sweet Talk Boutique. The stash included fabric, papers, cards and envelopes, embellishements, notions, ribbons and more. It was a joy to compile this little package and also quite fun to see some of my lace trim and peacock feathers show up in pictures on the (newly redesigned I might add) decor8 blog. After 1,060 comments/entries (can I just say WOW) the winners were recently announced. I was so thrilled to have Bride Design and Sweet Talk Boutique listed as a contributor, beside so many other AMAZING artists and businesses (Of course I was not surprised to see a few of you guys on that list too!). This was a great lesson to me on the VERY contagious nature of inspiration! Have a great weekend guys!

Must-See Mondays: Helvetica

I'm sure by now all my fellow design nerds have seen the feature length, 2007 documentary "Helvetica." Besides the awesome interviews with "celebrity designers" (OK maybe they're only celebrities in the graphic design world) and theorists, I promise that even the most jaded designer will be stunned by the fact that Helvetica is literally used EVERYWHERE. Yes, EVERYWHERE. Did I know this? Pretty much. I knew it was used by Massimo Vignelli when designing the identity and signage for the New York City Subway System and the like, but geez...the opening segment alone will remind you that Helvetica is no longer just "classic" or "standard." It's ubiquitous, pervasive (almost viral), and well, like I said...EVERYWHERE. It's so all over the place that I almost forget I'm looking at Helvetica sometimes. Which is actually why some designers think it's so great.

Of course, for those who know the aesthetic of the various designers included in the documentary, you'll probably react as expected to each of the interviews shown (based on your already formed opinions of said aesthetics). For me it went kind of like this...I wished I worked for Michael Bierut, would love to listen to records with Stefan Sagmeister and hear his thoughts on music and design, realized I dislike David Carson a little less than I thought, and wanted to give Tobias Frere-Jones a big kiss (total font crush!). The most interesting part of the film for me was definitely the historical information about the creation of font—the details and the human interest side of the story. Listening to Hermann Zapf...totally awesome. Seeing Matthew Carter work and talk about the alphabet was also pretty exciting (wow, I AM a nerd!) and very impressive. Eric Spiekermann gave me a chuckle. And it was cool to learn more about firms like Experimental Jetset and Norm, which I hate to admit I hadn't heard of (see I do have a life outside design!).

To sum up...if you like typography, I think you'll enjoy this one, no matter what your thoughts on Helvetica itself. Honestly, I rarely use the font. When I'm going san-serif, I'm more of a Futura, Century Gothic, Frutiger or Univers gal (depending on the occasion). I always shied away from Helvetica on principal, thinking it was just so familiar or overused, but this movie had me considering Helvetica and it's strength and weaknesses more deeply. Perhaps it is the near-perfect, universal font with unprecedented legibility and without excess thematic baggage, that many think it to be. It may not be tomorrow, or next week, but maybe someday I'll find the right moment or job and give Helvetica another chance. Thanks for the encouragement design celebrities! I think...

An Artist's Hotel Bar Tour In NYC: Bemelmans Bar at The Carlyle

You probably know Ludwig Bemelmans as the creator of Madeline, a plucky children's book heroine from Paris. What you may not have known is that the Carlyle Hotel, at Madison and 76th, is home to a bar named after the famed illustrator and author. According to the Carlyle, the hotel was New York's luxury residence du-jour when Bemelmans was commissioned to paint large scale murals in the hotel bar in 1947. In a turn of total brilliance (if you ask me), Bemelmans bartered his mural work for a year and a half of accommodations for himself and his family. Simply awesome.

This classic New York haunt, Bemelmans Bar, was the second stop on our Day-After-Christmas Hotel Art Bar Tour (I posted about the St. Regis' Old King Cole Bar Lounge on Tuesday). From the authentic prohibition era cocktail menu (I recommend the Gin-Gin Mule...gin, homemade ginger beer, fresh mint, and lime juice) to the leather banquettes, the cozy atmosphere evokes a feeling of nostalgia... almost as if you're in old Manhattan. From the walls to the lampshades, almost every surface in the place are kissed with Bemelmans' signature style. The murals depict Central Park, but Bemelmans-style. Rabbits out for a picnic, a balloon vendor, artists painting al fresco (and of course a special stateside appearance of Madeline)...the bustle of the park is perfectly captured, but with a whimsy and charm that only Bemelmans brush could imagine. Bemelmans is pretty upscale and that is reflected in the pricing, but again...for a special occasion it's a great place to visit and definitely worth the stop.

Like Parrish's Old King Cole, The Bemelmans Bar murals were also given a touch up in 2002. I look forward to returning to this swank grown-up scene, and as luck might have it I could return sooner than planned. This time with my own little girls in tow! Every weekend The Carlyle hosts Madeline's Tea Party at Bemelmans Bar. With treats like Petite Banana Splits Fontainebleau, a storyteller spinning our favorites (Madeline's Rescue and Madeline and The Gypsies, come to mind), as well as songs sung from the Madeline songbook...it shouldn't take much to get them on board! Besides...who doesn't love a day out in NYC. On my list for Future Art Bar Hotel Tours The Monkey Bar at the Hotel Elysée (complete with a 72 year old mural of simian monkeys (of course!), and a visit to Everett Shinn's murals at The Plaza's Oak Bar. So much art, so little time!

An Artist's Hotel Bar Tour In NYC: King Cole Bar Lounge at the St. Regis

As a freshman in art school I became enamored with Maxfield Parrish. A highly innovative and creative painter, Parrish also had an illustrious illustration career. You know when you've had a color named after you ("Parrish Blue" in this case), that you've pretty much made it in the art world. Not long after discovering Maxfield, I determined I needed to see his work in person. Did I head to the National Museum of American Illustration in Newport, Rhode Island (a state I used to live in no less!)? No. How about the Philadelphia Museum of Art? Nope. Instead, I waited 10 years and dragged my family on a hotel bar tour around New York City. And one freezing cold late December day, I got to warm up with a cocktail and some bar snacks, while sitting in front of Parrish's 1906 mural depicting Old King Cole. Forget summer vacation at the beach, I'll hold out for a brisk wintertime walk down 5th!

Located in the posh St. Regis Hotel (55th Street B'twn 5th and Madison), the intimate and inviting King Cole Bar Lounge is tucked away from the vaulted ceilings and gilded interior of the hotel's expansive lobby. Dark wood and dim lighting in the seating area make for cozy conversation. They serve their function and then fade into the background letting the true star in the room shine, Parrish's mural. I've heard the bar can be packed to the gills with a ritzy after work crowd, but during our visit it was quiet and subdued. Most patrons seemed to be shoppers dashing in from the cold for a quick drink or regulars chatting with the bartender. Drinks are pricey, but the family agreed this was a special occasion and the atmosphere is worth the price of admission alone.

Since I took the picture above, Old King Cole has been restored. After being taken down in January 2007, everyone's favorite merry, old, soul, was given a cleaning and returned in late Spring 2007. I can't wait to make a trip and check out his new glow. A lot has changed on my end too...the family has grown with marriages, pregnancies, new houses and moves. As a result we haven't taken another tour, but I'm already compiling my list of hotels (and lining up a sitter!). I was shocked at how my entire family, creatives and non-creatives alike, truly enjoyed this jaunt. I get lots of "when are we going to do that again!?" Hmmm...just as soon as that crisp city weather rolls in and I can line up that sitter.

Thursday, stop in for the second stop on our tour...where I had drinks in the park with one of my all time favorite authors!

Must-See Mondays: Sigur Rós - Heima

Break out my Fair Isle sweater. I'm moving to Iceland. A year ago the band Sigur Rós did a brilliant and beautiful thing. A series of 15 free, unannounced concerts in their homeland over two weeks. What's even more brilliant is that they filmed it all (the film's title 'Heima' is Icelandic for "at home"). The Husband knows I'm a fan of this band and as a result, did me a total solid by unexpectedly DVRing 'Heima' when it aired on IFC Friday night. Sort of romantic, huh? I kinda thought so.

'Heima' is part intimate concert film, part documentary. I can't describe it better than this one quote from the band's website "'Heima' also serves as an alternative primer for Iceland the country, which is revealed as less stag destination-du-jour and more desolate, magical place where human beings have little right to trespass." Words like magic and desolate only scratch the surface in describing the incredible images that pack this movie from start to finish. I mean, just have a look at the trailer...


A bright yellow dress reflected in slick midnight blue sands, a visual symphony of circles lining a decomposing factory wall, a stack of school room chairs piled high to create a geometric backdrop for a heartfelt song. Design and music have always been deeply fused for me. But 'Heima' takes that combination to a new level, and wraps it up in the quiet, simplicity, and the majestic strength that is Iceland and it's people. If you'd like to see more, do yourself a favor and check out this excerpt from the film, a song entitled "Agaetis Byrjun."

What truly amazed me most about this film, besides it's look and aesthetic, was that these concerts attracted whole villages. I mean EVERYONE, from 80+ year old grandparents to babies. And it worked. Actually, it was so touching it made me cry. That sort of coming together is rare in the United States (and many other countries as well). Rare, and very, very beautiful.

Looking Closer

Yesterday I met with a corporate communications director. My corporate graphic design portfolio which deals mostly with print publishing (book and magazine) identity and corporate communications, was a bit dusty. It's been a while since I talked about the annual reports and direct mail pieces that used to be my bread and butter. Now that I am a mom I mostly talk about bread and peanut butter. Since I've evolved to be as much entrepreneur as designer, I think about business and strategy almost as much as I think about aesthetic. Since most of my work is now stationery and couture invitations, my life revolves around hosts, guests and events, rather than editors, buyers and drop dates. Showing this portfolio was fine, I really enjoyed the discussion as well, but I was reminded that I love what I do now too. I also remembered that the graphic design student in me is very much alive. All artists constantly grow and change, but the one thing that never seems to change for me is my desire to learn more about design.

When I graduated with my BFA in 1995 I attended the International Design Conference at Aspen. It was a dream for me to attend. While there I picked up a copy of Looking Closer: Critical Writings on Graphic Design. I have read and re-read many of the articles housed in these pages over the years. "Why Designers Can't Think" by Michael Bierut has got to be one of my all time favorite essays on design education. Having been schooled at a university where visual problem solving was valued first and a slick portfolio came second, this article reminds me of my duty to make everything I touch attractive, legible and appropriately communicative. Famed children's book illustrator and graphic designer Leo Leonni's article on "The Urge to Make Things" is another favorite that captures the designer as artist. And as a designer in book publishing I found William Drenttel's essay on the written word, to be a valuable resource on a daily basis.

I could write FOREVER about the great modern and post-modern, and post-post-modern graphic designers of our time (do I feel a new blog feature coming on? Would you guys even want to read about Massimo Vignelli or David Carson?) and how they influence what I do today (make wedding invitations...wha?). I know it sounds crazy, but as I design stationery you'd be surprised at how often some of these pioneers come to mind. I mean, how awesome was Bradbury Thompson?! The guy tried to revolutionize the alphabet, by using only one symbol for each of the 26 letters. Alright, this design nerd sees that you are glazing over and clicking onto another blog (I know that look and I am not offended, I used to teach design to liberal arts undergrads after all). I'll wrap it up by saying that as a designer what I design may change and the passion with which I design it may ebb and flow, but for those who truly love what they do, the initial spark in some way, shape, or form will always be there. Sometimes I've had to dig deep to access it, but when I do even that smallest spark has lit my way.

Break me off a piece of that ART!: Feterie

I love words. Just look at the length of some of my posts and that should be pretty obvious! I also love, love, love me some good design. Good, old school, graphic design. Design from the mind of someone who knows their way around a trap, a kern, and some color separations. When I recently attended the National Stationery Show, I found all of that and more at Feterie. One look at the work of Feterie designer Cathe Huynh-Sison (who is also, I'm proud to say, a visitor to this blog), and it's easy to see why the company's tag line is "modern stationery and bespoken lovelies." Wow...four of my favorite words strung together with an "and." For a lover of design and writing like myself, it doesn't get better than that!

I'm always looking for something special to write on. Something cool. And for the wordy girl I am, Feterie's WordPlay Greeting Cards are perfect! I love the colors, the typographic style, and of course the sassy nod to "internetese" and how it has impacted our culture. OMG!! I can't wait 2 write some snail mail on these fab cards, LOL! See what I mean? The irony is awesome. This is also a serendipitous time for me to write about Feterie's wares as their online shop will be launching soon. I know I'm going to be first in line (or should that be ONline) to stock up on some of their original WordPlay cards, as well as their stunning Eco-Luxe gift wrap. Keep an eye on Feterie, I think there's probably lots more sassy, colorful and beautifully modern bespoken lovelies to come!

Kick the CROP out of those other Hole Punchers!!!

Everyone piped up when I wrote about my love for the Scotch ATG, I figured it was time to give props to the other love of my (art, design, and crafting) life— The Crop-A-Dile!™ from We R Memory Keepers. Honestly, I was living in hole-punching misery before this baby walked into my life! My hands hurt, I was using terrible foul language whenever I had to punch holes, and every once in a while I'd end up punching 1/8 of an inch off from where I was aiming. Grrrr. One of the designers who recommended this tool to me (and I must say that MANY designers recommended this tool) said "it cuts through eight pieces of card stock like butta'!" That's no joke.

The Crop-A-Dile!™ is very quiet. It wasn't like I was waking my kids from their nap with previous punchers, but at least now I can hear Lil' Mama's questionable critiques (I mean can't we do better than "Next time ya'll need to GO HARD!" after every single performance?!) when I am watching my latest obsession America's Best Dance Crew and happily punching paper at the same time. No need to mock my TV taste (my husband has that covered), but I danced all my life and through college so that's my excuse for being ridiculously into this show.

And if easing the horror of hole-punching was not enough (you can choose between 1/8 and 3/16 inch diameters), it also sets snaps and eyelets of both sizes! What more could a paper-loving girl ask for? OK, well maybe an Accucut, but that's super expensive so I'll just have to be satisfied with the thrill I get from my $25 Crop-A-Dile!™. Even more thrilling? "It's PINK! FOR GIRLS!" as my 3 and half year old would say, much to her delight. Warning: the Crop-A-Dile!™ is pretty heavy, so don't leave it around the kids or on the edge of a table where it could fall onto scantily sock-covered toes (can you tell I speak from experience?).

I think the only thing the Crop-A-Dile!™ can't do is plant an eyelet or a hole smack in the middle of a large piece of paper. I've needed to do that in the past, but not often and you can always get a universal eyelet setter for under $10 for that task. My favorite Crop-A-Dile!™ feature? Far and away, the depth gauge! Punching two holes in the same places every time on 300+ invites? Priceless. Oh yeah, and did I mention We R Memory Keepers touts the Crop-A-Dile!™ as cutting through wood, poly, metal, leather, fabric (ever tried to hole punch fabric? More Grrrr...), chipboard and more? I love my Crop-A-Dile!™ and I need to keep her in fighting form for my paper projects, so I haven't tried her on other media. But if someone else has a "My Crop-A-Dile!™ cut through this!" story...do tell. Thanks We R Memory Keepers for taking the pain out of punching!

National Stationery Show Review, The Pen Pavilion

At first blush, I figured "The Pen Pavilion" would be sort of boring, and there was definitely a different vibe for the most part in the writing instrument aisles (lots more men, business suits and important looking meetings going on). But a girl who truly loves paper of course loves pens and pencils too, so I had to check it out. I am attached to my ultra-fine point sharpies (perfect for writing on stardream by the way). And I have always loved drawing with roller ball pens...I'm looking at you sad collection of almost empty Pilot Precise V5 pens in extra fine point black. You have served me well.

My husband, an engineer, also enjoys a nice pen and recently introduced me to Uni-ball's Signo Micro 207. It's spring-loaded which is not a real plus for my needs, but I'll give it a chance. My three year old did some preliminary quality testing today while doodling with "Daddy's Pen" and managed to bust the spring, but it was easily fixed...so points for that Uni-ball. I'll definitely put it into my rotation and perhaps I'll sleep easier at night knowing I can now prevent check washing and make cute illustrations with a single writing instrument.

But back to the Pen Pavillion. I put aside the above preferences and found two items of interest. One was the Yoropen, a uniquely designed pen that reduces writing strain and was a NSS Best New Product Winner in 2007. I didn't get to try one at the show, but plan to try one soon. I'm wondering if it might take some getting used writing with this very different design? I'll keep you posted, and if anyone has tested one out, feel free to comment with your thoughts on it. Offered in several lines (Standard, Superior, and Executive) and styles (ballpoint, pencil, and even crayon)...there seems to be a price point to fit almost every budget. I'm thinking one of these would be a perfect stocking stuffer for my husband since the design is advertised as beneficial to left-handers for a variety of reasons.

My favorite writing instrument booth of all was Batle Studios. These graphite sculptures you can write with stopped me in my tracks they were so beautiful. The Olive Branch, Twisting Leaf, Wing and Thatcher Shell from their current collection are my favorites, along with the Calla pictured here. Stunningly crafted, these beauties won't rub off on your hand. Now if only I had an awesomely clean and organized workspace fit to place one on.

Got a pen or pencil you adore? Comment and let me know. I love writing of course, but I'm even more curious to know what other illustrators and designers like drawing with. As for the Pen Pavillion, I'm glad I strolled through. Not quite the rush I got (am I geeky or what!?) as toured the actual stationery aisles, but fun nonetheless.

National Stationery Show Review, Part 1

I'm going to guess I need a couple posts to share all of the wonderful, new, and interesting sights I came across during my first experience walking the National Stationery Show in New York this past week. I'm still in the process of looking through all the tons of materials I brought home with me, and I'm also mulling over the direction I'd like to take my own business in over the next year. Attending the show is extremely beneficial to aspiring stationery designers, those stationers hoping to exhibit sometime down the road, or for artists wondering where to focus their creative energies. But watch out kids, you might walk out wishing you were a retailer. For those who truly love the art of letter writing, you will certainly feel the urge to shop!!!

Perhaps the most exciting part of the show for me was meeting fellow stationery designers whose work I admire and am familiar with. In many situations it was great to finally put a face to the name and/or marvelous work. First up is Jill, from Jilly Jack Designs, who was kind enough to share a photo of her hip and stylish booth for this post. Jilly Jack's designs are fresh, eco-friendly, and manage to be bold and capture a certain softness at the same time. I'm loving the line's sweet felt folio packaging, which holds and coordinates with the enclosed note cards and envelopes. Just perfect for stashing in your desk drawer.

I'm a printmaker at heart, and while etching has long been my favorite media, I'm completely enamored with the woodblock designs from Artful Sentiments. Artful Sentiments designer Molly offers a huge selection of cards offering a wide variety of images charmingly printed in bright and catchy colors. My personal choice, her lovely desk calendars which are sure to spice up any home or workspace.

Letterpress was at the forefront of the show this year. There was lots of it! I was delighted to see a few familiar faces as I walked the rows, including fellow upstate New York locals Debbie Urbanski and Harold Kyle of Smock. Debbie and Harold are committed to printing sustainably, using fine bamboo paper and all while reducing the carbon footprint of their business and giving back to environmental causes. My favorite designs from their social collection are "horsey", "ellie" and "giraffe." Too sweet. Having had some of my own work printed with Smock's parent company Boxcar Press, I have seen first-hand this shop's love for the historic art of letterpress. With their beautiful colors and deep impressions...if there is such a thing as being gorgeously green, Smock has it down. Just scroll through the images on their home page and I'm sure you'll agree.

Whimsical preppy is how I'd describe the many deliciously colored offerings from The Paper Menu. Carried by a whole bunch of authorized online and brick and mortar retailers, you should have no problem tracking down the greetings, invitations, calling cards, and much more, that designer Marie has become known for. My favorite pick from The Paper Menu? Their gift wrap that can be personalized with a message, monogram or image. I'm definitely going to be hunting that down sometime before the holidays hit!

This is just the beginning. I promise there is more to come in a future post!

Picture Book Ponderings: Higglety Pigglety Pop! Or, There Must Be More to Life.

Think Illustrator Maurice Sendak, and I'm sure "Where the Wild Things Are" is the first thing to come to mind. I tend towards some of Sendak's lesser known favorites, like "Pierre: A Cautionary Tale in Five Chapters and a Prologue" (which I just used to help teach my 3 year old the virtues of caring, or rather the perils of not caring) and this little gem of children's lit and illustration "Higglety Pigglety Pop! Or, There Must Be More to Life."

Sendak wrote this book to deal with the death of his beloved Sealyham Terrier, Jennie. You might remember her from "Where the Wild Things Are" as she has cameos in a few of Sendak's books. And if the real Jennie was anything like the salami and pancake loving Jennie in ""Higglety Pigglety Pop.." then she was quite the character. Jennie is a dog who has everything. Discontented, she goes out in the world to find something she doesn't have. When she comes across a pig wearing a sandwich board advertising an opening for a Leading Lady in the World Mother Goose Theater she jumps at the opportunity. But there's one hitch, the job requires someone with experience. One thing Jennie does not have.

When I was in high school I used to read this book to my brother who is eleven years younger than me and I'm not sure who enjoyed those read-alouds more...the child or the teenaged big sister. Sendak's signature pen and ink style became a major inspiration to me as a young designer and illustrator, encouraged my interest in etching (which often uses similar drawing techniques), and showed me that with a little imagination an artist can take something small (a brief nursery rhyme bearing the a portion of the book title in this case) and spin it into a sweeping visual and literary narrative. Whimsical yet dark, this book speaks to that childhood, teenage, and well...even that grown-up...desire to take risks, seek more, and find out what the great big world and that "castle yonder" hold for us all.

Filled with crazy characters—an ornery baby who refuses to eat, a milkman who is also a cat, a very hungry lion, and the equally food-obsessed Jennie, this book offers quirky quips that you are sure to find yourself quoting after the reading is done. The warmly detailed illustrations, never fail to suck me in and the story is just plain charming. I mean who wouldn't love an adorable but spoiled dog, who is put through her paces and ends her story with this: "As you probably noticed, I went away forever. I am very experienced now and very famous. I am even a star. Every day I eat a mop, twice on Saturday. It is made of salami and that is my favorite."

Maurice Sendak's work has taught me that to illustrate something is to do more than just re-interpret the words on the page as a companion visual. True illustration illuminates the text, bringing additional dimensions to the story and stylistically branding the narrative at the same time.

Keyed In!

I've recently decided that I am going to start carrying Lilie's A Planet 4 Creation cards around with me every time I wear her awesome Green Skeleton Key Pendant. I literally get no less than 3 compliments on it EVERY time I wear it out. And I'm wearing it more and more these days, because who doesn't love compliments? From pre-school teachers to sales clerks to neighborhood friends or visiting family members, everyone I talk to seems to have a question to ask or a kind word to say about this lovely little piece of jewelry.

Actually, it's not that little, which is one of the things I love about it. The design I own is from a previous season, but it looks similar to this beauty which is currently for sale on Lilie's site. Just switch out the stunning red heart for a lovely green glass bead. Plus this key looks like it has a history. It brings some mystery to the pendant and I think that's cool. I have been collecting found keys and wearing them around my neck since I was a teen, but Lilie's additions of czech glass and porcelain beads, or Swarovski crystals, definitely take wearing keys as jewelry to the next level. A Planet 4 Creation also carries a wide variety of key jewelry! Check out the whole section here! There are pendants that use antique numbered keys, skeleton keys, or iron replicas of treasure chest keys, and a large selection of earrings using different key charms.

A Planet 4 Creation is also celebrating a birthday this month, so take advantage of this discount code "Birthday3" for 30% off! It expires May 31, 2008. And don't forget to mention this blog, Design is Everywhere, in the Customer Referral. If you do, you'll get a free gift! Happy birthday A Planet 4 Creation...and many more to come.

Design Find: helpineedhelp.com

My friend and collaborator over at http://sweettalkboutique.com pointed me towards a great site a week or two ago: http://www.helpineedhelp.com. I love the aesthetic of the site as well as their product ideas. Any company that has this to say about packaging design—"Many companies enjoy packaging their goods inside nasty materials covered in gaudy graphics.That’s because many companies are controlled by crazy people."—is A-OK in my book! While you're visiting the helpineedhelp.com site there are lots of things to do and look at, all presented in an orderly and legible fashion that would make my college Swiss design professor proud. A visit to their blog is sure to give you a chuckle. You can design your own "Help, _______" T-shirt in their store section. I personally want to get one that says "Help, everyone spells stationery...as stationary!!!" Just a little pet peeve of mine. Lastly, be sure to check out their "help I am BORED" area. While there you can find all sorts of easy remedies for toplessness, homesickness, stupidity, aggression and more! So props to the designers over at http://www.helpineedhelp.com/home/. Thanks for adding some more good design to cyberspace. And thanks Jen for for being my design buddy.

Break me off a piece of that ART!: Helena Garcia

I have a darling little 18 month old. Those are her gorgeous brown eyes up in the header there. Not long after she was born, I set about designing her room. Of course, with a big sister in the house, much of her room was decorated with hand-me-downs. Determined not to let my second child get the perennial shaft, I made sure there were a few things that are all her own—the lemon colored walls, the white sheer curtains with hot pink polka dots, and a perfect set of prints from illustrator and artist Helena Garcia.

OK, so I had my eye on Helena's work before baby #2 was even in the picture. Who wouldn't be charmed by her colorful world of cheeping birds, adorable rocker chicks, and shared sushi yumminess?! Framed and placed on my little one's walls, I knew they were a hit when my big one, who was two at the time, instantly decided..."that's me! I'm the one with the guitar!" and "Look at me, I'm walking with my music." Notice her sister wasn't mentioned at all there. Still, I'd say little sister is the one who wins out. After all, she gets to wake up with Helena's illustrations everyday.

Having spent a lot of time looking at "I Love Music" and "A Stroll" while I rocked my sleepy, sick, or just plain cuddly baby, I came to the conclusion that for me, good design is truly comforting. Throw in the additional "cute factor" of Helena's art—I mean isn't the little animal ear hat in "A Stroll" is an inspired choice?!—and I'm comforted even more so. Her saturated color choices warm me and the musical themes found throughout her illustrations speak to what it's like being a girl who loves music (which I still happen to be to this day). The flat 2-D nature of Helena's work reminds me why I love being a print designer, and her "less is more" approach makes her art very accessible to children and adults alike.

Speaking of which (my big one's new favorite phrase), I aim to choose art for my children's walls that will grow with them and I felt these prints were perfect for that. Nothing against the "nursery art" trend, I've made some nursery art myself in the past. But much the way adults converse naturally with babies to encourage receptive language and verbal skills, I want to give my daughters more than just the equivalent of visual baby talk. I want my home to be filled with art that they notice, that interests them, and that they enjoy. As I rocked my little one the other night, thinking of how she'll someday be too big to rock, she pointed to "I Love Music" and said "guitar." That's when I was reminded once again, of what a good choice I made buying Helena's prints. Oh yeah, and I was also reminded that one is never too big (or too little!) to truly RÖCK!!!

For more on Helena Garcia's rockin' illustrations check out: http://helenagarcia.com/

Picture Book Ponderings: Miffy

Back when I was "tagged" in January, I mentioned that my ultimate dream is to illustrate children's books. To say that I am a lover of children's books (picture books in particular) is an understatement. As I troll local libraries for books to read with my toddler daughters, I am continually reminded of the many books and authors and illustrators that helped shape my design sensibilities. Hence the regular feature I'd like to start..."Picture Book Ponderings."

I figured I'd start out with the Dutch design icon, Miffy! I found Miffy late in life, after I became a mom and my oldest daughter fell in love with the "Miffy & Friends" television program on Noggin. The show's distinct color palette (basically primary colors, plus the use of white, black, and brown) immediately won me over, as did Miffy's simplistic shape and features. Who knew that with just two little dot eyes, and a "x" for a mouth, a bunny could be so expressive!? Being a print designer, I immediately ran to e-bay to see what sort of actual Miffy books, stationery, toys and products I could find for myself...Uh...I mean my child. What can I say, I'm a design junkie.

That's when I discovered that MIffy is HUGE in Japan. Yeah, I know...big surprise right? With a styling similar to Sanrio's Hello Kitty products, Japanese pre-schoolers and teenage girls alike have scooped up any and all the Miffy they can get. The website Business in Japan notes that while Miffy may not rank as highly as Sanrio’s characters in terms of brand recognition, she still rakes in ¥40 billion (US $332 million) a year on products! And that doesn't include the picture books where our super sweet bunny got her start.

I credit Miffy with bringing me to the real Dutch design icon here, Dick Bruna, the modern master who created her (When it comes to art, when isn't the word "dutch" almost immediately followed by the word "master"?). From the deStijl to Droog Design, Dutch Graphic design is consistently defined by it's pursuit of minimalism and simplicity. Dick Bruna's ability to capture the affection and interest of both children and adults through the use of simple lines and forms, truly inspires me! After writing about the Dutch quest for nothing more than what is visually essential, I'm off to design myself. Thanks Miffy (*wink*)!

Springing Forward!

Yellow Invitation Suite, Menu, Program and Matching Cake, originally uploaded by Bride Design.

I'm not sure it's here to stay (did someone say there might be SNOW next week?), but Spring is certainly here for the moment. Designing this smashing yellow and black stationery wardrobe back in January certainly filled me with a much needed burst of brightness this past winter. I was also thrilled to create these items as part of a collaboration with Jen Comfort of She Takes the Cake, shetakesthecake.com, who designed the matching wedding cake.

I didn't always think so highly of collaboration. As a BFA student and a professional graphic designer in the publishing and in-house communications industries, I often heard that competition fosters innovation. Further into my career I noticed an increased use of the the phrase "design by committee." Wikipedia notes the defining characteristics of "design by committee" as "needless complexity, internal inconsistency, logical flaws, banality, and the lack of a unifying vision." They wrap it up with this: "Design and style much more relate to intuition and aesthetics than science or politics." True that, Wikipedia. True that.

Collaborating with Jen on designs has made me realize that when two people do share a "unifying vision," that vision often has double the impact. Do I still experience "design by committee" situations? Sure, every once in a while I'll take on a freelance job with "too many cooks." Or perhaps I'll volunteer my time and services for an event or organization that's lacking resources, leadership, or proper planning. But, when I do let my intuition and sense of aesthetics inform my decision to collaborate with another artist or design team, I find I am often pleased with the results.

I recently did some business "Spring Cleaning" and decided to let that same intuition and aesthetic ideal be the driving force behind this blog. Using this blog as a platform to promote my products just didn't make sense. Frankly it didn't help me sell anything and I honestly don't enjoy writing 100% PR and marketing driven posts. I also had to admit that as an avid reader of many blogs myself, I in fact HATE reading those types of posts as well! As a result I've decided to change the subject of this blog from my business, to my passion. When I thought about what I did want to write about, I realized that design is what I want to share with the world.

Design is what inspires me to be an entrepreneur, to do my job and in a large part contributes to who I am. I LOVE good design, but am amazed at what I can learn from bad and mediocre design as well. I am especially interested in the random, interesting, and often ignored design that occurs around me daily. Some of it might be mundane, and some of it might be marvelous, but it all contributes to the visual world around us...a world I never get tired of exploring.